The abandoned property dilemma
A reader bought a box at a local flea market and was enchanted to find that it contained letters — more than 100 letters — written during World War II by a Seabee to his girlfriend.
The Seabee made it home safely after the war, and the girl he was writing to later became his wife. They lived locally for the rest of their lives, and the reader was able to find their obituaries. So the letters can’t be returned… but could they be published?
At the same flea market, the reader also found old ledgers from a no-longer-active Rebekah chapter. (Rebekahs are the women’s arm of the Independent Order of Odd Fellows.1) The ledgers have significant local historical interest, listing people and information who were active in the community, and maybe the local historical society would be able to make good use of them.
Both of these finds, as exciting as they were, raised tough questions in the mind of the reader, who puzzled over them and then tossed them over to The Legal Genealogist:
I was wondering what sort of laws might come into play if these (letters) were published. …
I was considering perhaps donating (the journals) to the historical society but … was asked if I would sign something that I had legal rights to them, knew where they came from, etc. etc.. There was not an option to say ‘bought them at a flea market’… Therefore they are still sitting in a box in my basement.
So the question is really as you find things that reflect ancestors that are not your own are there restrictions on their use?
The simple answer here is yes, there are restrictions. That doesn’t mean you can’t make any use of the materials, but it does mean that you’ll need to think through the pluses and minuses, the benefits and the risks, of the uses you have in mind.
Let’s go over some basics first.
First and foremost, we need to remember what’s eligible for copyright protection and what isn’t. Copyright law protects “original works of authorship fixed in any tangible medium of expression.”2 That definition doesn’t include “facts, ideas, systems, or methods of operation, although it may protect the way these things are expressed.”3
Second, we need to understand that owning specific physical items — those letters, the Rebekah chapter journals — is entirely separate and apart from owning any copyright there may be in the items. The U.S. Copyright Office explains that:
Mere ownership of a book, manuscript, painting, or any other copy or phonorecord does not give the possessor the copyright. The law provides that transfer of ownership of any material object that embodies a protected work does not of itself convey any rights in the copyright.4
Clearly, the reader here is the legal owner of these items. They were bought, fair and square, after being given away or sold or somehow abandoned. But owning the items themselves doesn’t affect ownership of the copyright.
Third, the fact that the Seabee’s family or the Rebekah chapter let these things end up at a flea market doesn’t have any effect on the copyright protection they get. Because ownership of the thing is separate from ownership of the copyright, abandoning the thing doesn’t mean abandonment of the copyright. The law on this couldn’t be clearer:
“In copyright, waiver or abandonment of copyright ‘occurs only if there is an intent by the copyright proprietor to surrender rights in his work.'” A&M Records, Inc. v. Napster, Inc., 239 F.3d 1004, 1026 (9th Cir. 2001)…. Abandonment of a copyright “must be manifested by some overt act indicative of a purpose to surrender the rights and allow the public to copy.” Hampton v. Paramount Pictures Corp., 279 F.2d 100, 104 (9th Cir. 1960).5
So the issue here on both of these items really is a garden-variety copyright issue. Were the letters and the journals ever copyrighted? If they were, are they still copyrighted today? If they are, then who owns the copyright?
Copyright as to the letters is an easy question. Because they were “original works of authorship fixed in any tangible medium of expression,”6 and because the letters were never published, the letter writer had full copyright protection on them. Under the 1976 U.S. Copyright Act as amended to today,
Works originally created before January 1, 1978, but not published or registered by that date… have been automatically brought under the statute and are now given federal copyright protection.7
Copyright in unpublished works lasts for 70 years after the death of the creator.8 Now basic math is not my strong point, but even I can subtract 70 from 2012: for those letters to be out of copyright, the Seabee would have had to die in 1942. Since that didn’t happen, those letters are still protected.
So you have two choices. One is to use only the smallest portions of the letters that might qualify under what’s called the fair use doctrine. That’s set out in federal law at 17 U.S.C. § 107, which provides that:
the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means …, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include –
(1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
(2) the nature of the copyrighted work;
(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
(4) the effect of the use upon the potential market for or value of the copyrighted work.
Chances are, you’d be okay if you published bits and pieces. In reality, if the family thought so little of these letters that they let them go at a flea market, chances are you’d be okay if you published them all. (I’m not suggesting that, just commenting on the realities of the situation.)
But there is, of course, a better way:
Ask for permission.
Sounds easy, until you start wondering who you would have to ask. “Ownership of a copyright . . . may be bequeathed by will or pass as personal property by the applicable laws of intestate succession.”9 That means, simply, that whoever has the rights to the Seabee’s estate owns the copyright to those letters too.
The possibilities are:
• The Seabee left a will, left his personal property to someone in particular, and that someone is still alive. That person is the copyright owner and his or her permission is all you need.
• The Seabee left a will, left his personal property to someone in particular, and that someone isn’t alive today. You’d need to find out who that person’s estate went to — by will or by intestacy — because the copyright would have been part of that estate.
• The Seabee didn’t leave a will, so his estate went to his heirs-at-law under the laws of your state. That means, of course, you’ll need to figure out who his heirs-at-law were. If he outlived his wife, you only need to trace his side. But if he died first, and state law gave part of his estate to his widow and part to his heirs, you may need to trace both sides.
But hey… we’re genealogists, right? We should be able to find the heirs… and it might be fun to try.
The Rebekah journals
The Rebekah journals are a bit more problematic. The hitch here is that they may not qualify for copyright protection at all. Again, you only get copyright protection on something if it has some basic element of originality or creativity. A journal that simply lists dates and places and memberships — in other words, a recitation of facts — may well not qualify for copyright protection.
But if the journals do have some prose descriptions, some even small creative spark, you’re better off erring on the side of caution and assuming that they were copyright-protected as unpublished documents just as those letters were.
And you’d be well advised to treat them as works of corporate authorship, and that means they’re protected for 120 years after the records were created.
Now you can still use any of the facts from these journals without having to try to find anybody that you can ask for permission. Facts, again, can’t be copyrighted. It’s only if you wanted to copy whole segments of the journals or make digital images and the like that you’d need to worry about asking anybody.
What makes them a little easier than the letters, though, is that there is somebody who’s easy to find to ask for permission: the national Rebekahs. The national organization is the natural successor in legal interest to the local chapter, and there’s a Contact Us link at the top of the website for the Independent Order of Odd Fellows.
It’s always a good idea to stop and think about copyrights and usage permissions any time you come across original works by a third party. Though using portions of both of these types of records should be safe, it’s safer still to follow that simple rule:
Ask for permission.
And at least we, as genealogists, are better-equipped than most researchers to find the people we’d need to ask!
- See “Rebekahs,” IOOF (http://ioof.org : accessed 2 Dec 2012). ↩
- 17 U.S.C. § 102(a). ↩
- U.S. Copyright Office, “Copyright in General: What does copyright protect?,” Copyright.gov (http://www.copyright.gov : accessed 2 Dec 2012). ↩
- U.S. Copyright Office, Circular 1: Copyright Basics, PDF version at p. 2 (http://www.copyright.gov : accessed 2 Dec 2012.) ↩
- Melchizedek v. Holt, 792 F. Supp. 2d 1042, 1051 (D. Ariz. 2011). ↩
- 17 U.S.C. § 102(a). ↩
- U.S. Copyright Office, Circular 1: Copyright Basics, PDF version at p. 5. ↩
- For a chart outlining the basics of copyright duration, see Judy G. Russell, “Copyright and the old family photo,” The Legal Genealogist, posted 6 Mar 2012 (http://www.legalgenealogist.com/blog : accessed 1 Dec 2012). ↩
- 17 U.S.C. § 202(d)(1). ↩